Archive for September, 2008

By Sadé Champagne

YNG-ROBB is the first artist to kick off my “Stars of the Future!” interview series! I first heard about him through the manager at R.K. Records- she insisted that I interview their new artist YNG-ROBB. She kept mentioning how talented, dedicated, and unique he was. I promised to check out his music, and get back to her. So I listened to his music on myspace, and I was speechless! YNG-ROBBS’s songs “Son of A God” and “Under Pressure” really moved me, plus he brings an inspirational and excellent energy to every song that he writes. After interviewing YNG-ROBB, I discovered that not only is he making a difference through his music, he strives to motivate others by setting a positive example for kids, his peers, and other performing artists. Check out my interview with this wonderful rapper and lyricist below!

YNG-ROBB, born Robert D. Williams on December 1, 1986 in Long Beach, California, spent most of his childhood in his grandmother’s home in Las Vegas. Even as a child, YNG-ROBB seemed destined for a successful career in the music industry. YNG-ROBB’s path to the stage has been peppered with challenges along the way, however. The death of his big brother Dion when young Robert was only 4 left a scar in the young boy’s heart that to this day has not fully healed, and difficulty adjusting to high school life found the teenager turning to the gangster culture of drugs and violence as his only way of coping. By the time he was 18, Robert knew that the wages of his life of guns and drugs would be death, so he decided to turn away from that life and use his talent for rap to tell his story and give hope to others considering the gang banger’s life. Now known by the name YNG-ROBB, he follows his heroes in the hip hop industry as his role models to lift others to achieve more with their lives. Faithful to his church and committed to his schoolwork, YNG-ROBB emulates such heroes as Grand Master Jay, Run-DMC, Snoop Dogg and others who have turned their lives around. YNG-ROBB is currently appearing at various events around Southern California and aspires to bring hope and joy to others facing hard choices in their lives.

Bio courtesy of R.K. Records

It was a pleasure interviewing YNG-ROBB via email! =)

Sadé: Please tell me a little about how and where you grew up.
YNG-ROBB: I lived a regular hood life surrounded by poverty-with more choices to do bad instead of good.

Sadé: When did you first take interest in music?
YNG-ROBB: When I realized people remembered the words of their favorite artists songs’, such as my mother singing in the kitchen while she was cooking.

Sadé: Who has inspired you the most in your career? Please name a person inside the business and someone outside of the business.
YNG-ROBB: Someone that was in the business, Tupac Amaru Shakur, because in one of his interviews he said, “If I can’t change the world, I guarantee to spark that somebody’s brain to change the world”, and I felt he sparked my brain to change the way music is projected to the hip-hop spectators. Outside the business Alton Lynum, because he taught me most people respect you when you keep a professional image.

Sadé: When did you know that you wanted to pursue music for the rest of your life?
YNG-ROBB: At the age of 15 I made a set decision that I was going to be the GREATEST rapper that ever touched a microphone, by learning from all the greats mistakes (in order to become the best)!

Sadé: What is the best advice that someone ever gave you about following your dreams?
YNG-ROBB: If you think you can you can, but if you think you can’t you’re right”, quoted by Mary Kay Ash.

Sadé: What is the best advice that you would give someone about following their dreams?
YNG-ROBB: “WHEN YOU ASK FOR SOMEONE’S HELP, YOU GIVE YOURSELF A LIMITATION ON WHAT YOU COULD HAVE DONE ON YOUR OWN.” quoted by me Robert D. Williams. Because if you think about it, your opinion is what counts, but when you ask for help you degrade your opinion and take in to consideration the next persons opinion, (which is not wrong) but asking for help sometimes gives you a limitation on using your own mind ability of thinking.

Sadé: Were there ever times that you felt like giving up on your dreams? Tell me about one of those times.
YNG-ROBB: Plenty of times that thought ran through my mind from people not purchasing my promo demo, or even when I was just rapping for free and not getting paid.

Sadé: What kept you from giving up?
YNG-ROBB: God, and also every time I hear a new person compliment me and let me know that I’m the best rapper they’ve heard so far!

Sadé: What do you think of the music industry today? Do you feel that it’s taking a turn for the better or worse?
YNG-ROBB: It’s a gimmick. Instead of taking time out and really critiquing the genre of music that we call hip-hop, people are just taking words, throwing it on a beat, and calling it a song. Now in 2008 I feel the music industry has taken a turn for the worst.

Sadé: What are the steps that you took to make your dreams come true?
YNG-ROBB: The steps I took to manifest my dreams are first and foremost believing in God, secondly taking my time critiquing my music before I consider it being a song, and third keeping my confidence at the highest peak and staying prepared for constructive criticism.

Sadé: What are some positive words or sayings that you live by every day?
YNG-ROBB:
When you learn to appreciate, you learn the real meaning of living life, and that’s something I do daily in order to keep my mind focused.

Sadé:
Do you consider yourself to be a role model? If so, do you like being one?
YNG-ROBB: Of course I consider myself a role model. If you haven’t heard, my music consists on enlightening teens to get through peer pressure, and also to think about the consequences (if they do decide to follow in the wrong direction).

Sadé: Take me through a studio session, and tell me what your recording process is like.
YNG-ROBB: Before I walk in the studio, the song would be complete within my head! I’m what you call a one take artist…I train myself to memorize my rhymes as I write them down. So in the booth I never have to recite from a piece of paper unless I just wrote it within that studio session. The reason I do that is because I dislike songs that sound like the artist was reading from a piece of paper…it takes away the emotion and feeling from the song.

Sadé: Do you write your own lyrics? Please explain to me what your writing process is like.
YNG-ROBB: Yes, I write my own lyrics, but the process is kind of out of the blue. I could just come up with a hit song while I’m sleeping!

Sadé: Do you remember the first time you recorded a song in the studio? Please take me back to that time.
YNG-ROBB: Yes I remember it like it was yesterday! I was 15 years old and I lived in Long Beach, CA. My next door neighbor invited me to his studio and offered me a beat (if I could come up with a song). It took me 1 hour to come up with a concept to the song, but it took my homeboys days to finish their verses. So I took it upon myself to complete the song as soon as possible and get in the studio to record. The song was called “I’ma Hustla’ Baby”. The feedback on the song wasn’t so great, but many people let me know I gave the most energy and originality to the song. That’s when I realized I write faster and record better then most of my peers.

Sadé: Who is the first person/people you ever performed for? Please take me back to that time.
YNG-ROBB: I was 16 years old when I performed for Hillary Duff’s manager, Andre Recke, from Disney Records. I did a private audition in the Millennium Dance Complex. It’s really not too much to talk about. I just performed 3 live songs to give him an insight on my stage performance skills.

Sadé: How can an artist stay focused and not let the audition tension psych them out?
YNG-ROBB: Prepare like it’s a test! Study your craft before you consider yourself being ready to audition.

Sadé: Almost every entertainer nowadays is not only a Rapper, but also an actor, spokes model, producer, and has many many other business ventures. Do you want to do the same things as well?
YNG-ROBB: Yes, I would love to be considered a great actor one day, own my own company, and eventually learn to produce my own music.

Sadé: That brings me to my next question. Out of all your crafts, which one is your favorite? (rapping, producing, playing instruments?)
YNG-ROBB: Eventually being a CEO of my own company, but for right now my favorite is entertaining music lovers as a hip-hop artist.

Sadé: What are your pre-performance rituals?
YNG-ROBB: First I have to make a phone call to my creator, which is my mother. Second I say a nice long prayer appreciating the things God blessed me with, and if I still have time I like to do 20 push ups before I get on stage.

Sadé: Do you get performance jitters? If so, how do you get rid of them?
YNG-ROBB: Before I get to the show I love to rehearse and visualize that its billions of people watching me! So by the time I step in front of a crowd of a thousand, I’ll already be prepared for the constructive criticism.

Sadé: A lot of rappers talk about how much they financially struggled, especially on the way to their dreams. What can an artist do to make sure that they are able to accomplish their dreams and not have to financially struggle at the same time? Or is it unavoidable?
YNG-ROBB: I believe it’s whatever you feel you could do because if you want to live a good life, you have to take yourself out of the negative to receive the positive feedback you need in order to accomplish your dreams.

Sadé: How important is the internet to an artist’s career?
YNG-ROBB: The internet is a necessity for promotion for the artist, but I feel like its not more important then writing/composing your music that everybody can listen to (even if you’re a different race or gender; not just one set culture).

Sadé: Do you think that internet sales may be more important than album sales these days?
YNG-ROBB: Yeah it’s cool for fans to purchase the album from their Apple I phone, lap top, or home desktop, without having to go to the store. The industry is different from how it used to be. You can make over a billion dollars if you’re a good artists nowadays!

Sadé: How can a artist master their skills? What are some of the tasks they can do daily to improve their flow, breath control, and fluidity?
YNG-ROBB: Take a song that you know every word to, and rap it as if you were the person that wrote the song.

Sadé: What do you think of reality TV shows like American Idol, So You Think You Can Dance, and Dance War? Do you think that these shows shine a good or bad light on performing artists? Why or why not?
YNG-ROBB: Reality shows are nice for exposure, but it shines a bad light on performing artists. First off, the producers and directors are looking to get paid through ratings, and it doesn’t matter how good you are, you’re just a “crash dummy” in order to keep the show running!

Sadé:
What has been the highlight of your career so far?
YNG-ROBB: The highlight of my career so far is being managed by Grand Master Jay from R.K. Records. Also having a real biography, head shots, and a demo to submit to record companies.

Sadé: What career goals are you still trying to achieve?
YNG-ROBB: I’m still trying to achieve a record deal with a big time record company.

Sadé: How can your fans stay in contact with you and up-to-date with what’s going on in your career?
YNG-ROBB: http://www.myspace.com/1yngrobb and that’s the official Yng. Robb music myspace site

Sadé: Thank you so much for your time Yng Robb!
YNG-ROBB: No thank you! I appreciate everything you’re doing for me.
“& also A 100,000.00 blessing’s to you & yours”

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There is a website called Animoto that lets you upload or import a set of photos and music and then it will churn out a slick music video for you. Usually when I get back from a live performance the promoter or fans will send me some photos of the show. Why not get these into music video form onto YouTube? Great promotion no?

Of course you can take the time to create a music video from still images in Final Cut Pro, iMovie or Adobe Premier but Animoto is super easy, fast and effective. Here’s how it works: Head over to Animoto and sign up for an account. Click “create video” on the top left of the window. Next, you choose “30 Second Video - Animated Short” or “Full Length Video”. The 30 second clips are free to make. If you want to make something longer it will cost you $3.00 but you get a full 1 free every month. There is also a yearly subscription fee for $30.00 which allows you to make as many full length videos as you like. Now you either upload your photos or import them from flickr. You can also import photos from Facebook, Picasa, Smugmug, and Photobucket. You can choose a few photos to be featured by adding a “Spotlight” tag on them. Then you add your music and hit “finalize” and Animoto does its magic. A great new feature they just added is the ability to send your creation directly to YouTube.

You end up with a pretty neat music video. Fancy transitions with zooms and pans make your static photos come to life. The thing I personally like is how fast the process goes.

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Twitter is a service that fits somewhere between email, instant messengering and micro blogging. If your a musician or record label you can use Twitter as a promotion tool. Twitter has RSS feeds and badges so each of your posts can instantly be placed across the internet at several locations at once. Twitter is also a type of social network and you can follow friends or companies your interested in. You do so in a public time line made up of a everyone you are following. It’s a fun and addictive experience. Let’s take a closer look.

Use Twitter to create a profile for yourself or your band. Use this profile to promote whatever is going on in the studio, new releases, a new YouTube video you posted and even important blog posts you have made.

Posts are limited to 140 characters of text which I think is brilliant because you are really forced into stating simple moments and facts. You can input entries vie your Twitter page online but you can also post Twitter entries by using software on your Mac or PC, IM clients or mobile devices like cell phones, etc.

Fans do not have to go to your Twitter site to see the updates. You can put them on your site, Blog, MySpace page or facebook page. Twitter posts can take on any look. You can use the official Twitter badges or style your own using CSS. You can also choose how many recent updates should be listed.

The video above is a really great way to grasp everything Twitter is about.

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By Shara Rutberg

(FORTUNE Small Business) — Dear FSB: I am a raggaeton music artist. Everyone that hears my music absolutely loves it, but I’ve tried to get signed by several independent record label companies and have been used for my music and received no money in return. I would love to be able to market my own music through digital distribution. How do I get started? How can I market to the thousands, if not millions?

- Gerson Martinez, Columbus

Dear Gerson: Forget the independent labels - especially if they’ve been stealing your tunes.

Most of what they can do for you, you can do yourself, according to Michael King, who teaches Music Marketing 201 at berkleemusic.com, the online branch of the Boston’s Berklee College of Music, the world’s largest independent college focused on the study of contemporary music.

In the past, labels monopolized distribution, but today, “forward-thinking online distributors are empowering artists to do it themselves,” says King.

Two companies in particular have enabled artists to get their music on Apple’s (AAPL, Fortune 500) iTunes, RealNetworks (RNWK)’ Rhapsody, eMusic and other online retailers: CD Baby and TuneCore.

“Essentially, these online distributors do exactly the same thing: they have direct relationships with the digital retailers and provide a bridge to get your music into the stores,” says King.

The two companies operate slightly differently. CD Baby charges a small fee, (currently 7 percent) for every sale generated online. TuneCore doesn’t charge a fee on sales, but charges a one-time fee, per store, per album, for delivering the music, and a one-time charge per song you upload (both are currently $0.99), plus a $20 annual fee.

“You’ll need to run the numbers to see which one works best for your particular situation,” says King. Other online distributors are popping up constantly, but CD Baby and Tunecore have the best track records for getting your tracks into the hands of listeners.

Heavy metal makeover
“Be sure to have a MySpace page and a solid website, know how to use it, and update it regularly,” says Chris Knab, author of Music is Your Business and president of FourFront Media and Music, a Seattle-based music business consultancy.

Thousands and millions - of dollars or fans - aren’t going to appear overnight.

“Slow down!” says Knab. “There is no fast track to making money in any part of the music industry. Commit yourself to being in it for the long haul. Remember, there were over 75,000 new releases put out last year and over 56,000 of them sold less than 100 copies.”

Distribution follows marketing. “One doesn’t market their music by getting on iTunes,” says King. “The key is to generate interest outside of these retailers and drive folks to the outlet so they’ll buy your music.”

You need a fully integrated marketing campaign that takes advantage of the marketing outlets and technologies that are available today to independent musicians. “And tour, tour, tour,” says King.

To learn the internet marketing aspect of that integrated campaign, Knab recommends How to Successfully Market Your Music on the Internet by David Nevue, an industry consultant who runs the music industry resource musicbizacademy.com.

“Nevue takes you through every aspect of internet marketing - everything you need to learn about how to build your career through the Internet,” says Knab.

Nevue updates the book every six months, because changes are rippling through the digital music marketing world nearly as fast as a raggaeton beat.

Do you have killer music-marketing tips? Share them with us.

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by Laurence Trifon

What do they say it is?
PayPal Storefront is an online store widget that anyone can use to sell products from their website or blog. Simply go to the Storefront website, customize the design of your storefront, and upload your product information and store policies (shipping information, contacts, etc.). When you’re done, PayPal provides you a bit of HTML code that you can use to publish your storefront.

All you need to start using Storefront is a PayPal account. The Storefront widget doesn’t cost anything to use, aside from the standard PayPal transaction fees for sellers.

What do we say it is?

A convenient way to sell products if you don’t mind handling inventory and shipping yourself.

What’s great about it?

PayPal makes it very easy to customize the appearance of and information on your Storefront. Among other things, you can upload a store logo as well as individual images for each product, set the price and write a description for each product, and provide detailed information about your store policies regarding shipping, tracking, insurance, etc.

Each Storefront includes a “Help sell these products” link that lets other people put your store on their own website. You still get all the proceeds from sales - there’s no affiliate fee for those who choose to help sell your products.

What could be better?
At the moment it seems that Storefront (which is currently in beta) only accept payments in U.S. Dollars. The PayPal Labs site indicates that Storefront will be available for MySpace in the future, which will be a nice addition. Hopefully Storefront widgets for other social networks are on their way as well.

How can I use this?
Storefront provides a great opportunity to sell merchandise directly to your fans. Simply embed the widget on your website — and get your fans to put it on their websites too! — and let the orders roll in. Bear in mind, however, that Storefront is simply a tool for displaying your products and processing payments. You are responsible for actually fulfilling the orders. If you have no desire to manage inventory or you detest trips to the post office, Storefront isn’t for you.

Should I pay it any attention?

Many independent artists will find it more efficient to sell products through sites like Amazon and Zazzle, where order fulfillment and inventory management are provided. But when you’re ready to cut out the middle-man, give Storefront a try. It’s a fantastic widget.

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Bridging the divide between digital and physical, DiscRevolt provides a tangible solution for selling digital media. Artists upload songs to DiscRevolt’s website and design their own artwork for a plastic download card. The cards are then printed by DiscRevolt with a unique redemption code on the back. Artists sell the cards to fans at live shows, and the fans can then download songs or albums from the artist’s online page.

Many independent artists make most of their revenue at merchandise tables after they play a live show. Audiences connect with a band or song, and are most likely to pay for music during the post-gig buzz. As bands are moving from CDs to digital downloads, they need something to hook potential customers when they can, instead of asking them to download later. Which is a challenge DiscRevolt aims to solve. The start-up describes its download cards as a cross between a gift card, a backstage pass and a baseball trading card. They’re designed to be collectible items, attachable to lanyards or backpacks or rear-view mirrors. The fact that artists design their own artwork, and often make cards in limited runs, adds to the appeal.

Pricing is set at 500 cards for USD 250. Artists set their own prices, but DiscRevolt recommends USD 5 per card, which brings the price per song to 33 cents for buyers, and gives artists a 90% profit margin. Since artists buy the cards upfront, profits are received as soon the cards are sold. Which can be useful while bootstrapping a tour ;-) It also provides a user-friendly download avenue for bands that haven’t yet made it to the front page of the iTunes Music Store.

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TuneCore is a music delivery and distribution service that gets artists’ original music (even cover versions) and record label releases up for sale on iTunes, Amazon, eMusic, Rhapsody and Napster without asking for your rights or taking any money from the sale or use of your music.

Basically, for the cost of a pizza, bands can get their music delivered worldwide and keep 100% of the profits.

TuneCore is only the easiest, the cheapest and the fastest way (in as little as three weeks) to get your music sold on iTunes, Amazon and other online stores worldwide. No hassle, low cost and no back end charges.

TuneCore has set out to revolutionize the music industry by educating and empowering the independent artist.

Thousands of artists and labels have been putting their music up for digital sale quickly and easily with TuneCore.

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“Fan Exclusives”: The Easy Way to Turn Casual Listeners Into Registered Fans

Wouldn’t it be great if you could use access to your music as an incentive for fans to provide demographics (age, gender, location) and contact info (email) to you? Now you can. It’s a new feature called Fan Exclusives, and it’s only available at ReverbNation.com. Fan Exclusives are also a great way to reward your loyal fans with special content just for them.

What It Is
Fan Exclusives provide casual listeners with an incentive to
- Become an official fan of the Artist
- Join the Artist’s mailing list
- Provide information about themselves — like age, gender, and location

Whom It’s For

Artists, Labels, and Managers should use Fan Exclusives to
- Get added value from posting full streams or songs for download.
- Reward those that are already Fans.

How It Works
Visitors will have access to a 30-second preview of your song and will be prompted to become a registered Fan of the Artist in order to access the full stream or download (you choose the setting). The Artist is in control of which songs are exclusives (limited to 30 second preview for ‘non-fans’) or not (full
song available to all). Once they are registered as a Fan and their email address is confirmed, they will be given access to the full song stream and/or download.

Fans DO have to ‘register’ with ReverbNation. Whether they join ReverbNation or not makes no difference. Once they have provided their email address to the Artist, that email is like a ‘key’ that will unlock exclusive content from the Artist, whether the fan has encountered it at ReverbNation.com, or on a ReverbNation ‘Tunewidget’ at MySpace or anywhere else. When encountered in a Tunewidget on MySpace, for example, the tunewidget will prompt for an email address if the listener claims to already be a fan. If the email checks out against the Artist’s database, the exclusive content is unlocked immediately. No redirects, no hassle. We have never been in the business of using Artists’ content to force people to join our site and we never will be.

How to Make a Song a Fan Exclusive
To make a song a Fan Exclusive, simply choose that option when you upload. If you want to change an existing song to a Fan Exclusive, click on the ‘edit song’ button next to the song and change the setting to one of the Fan Exclusive options. You must have our free fan-management system Fan Reach enabled to access the Fan Exclusive features. Without this, there is no way for us to track who are fans and who are not.

Where They Work

Fan Exclusive songs are currently only available for display on your ReverbNation Artist profile and inside of our TuneWidget (works on MySpace, blogs, home pages, and other social networks). Efforts are continuing to make Fan Exclusives available on other widgets as well as our Facebook Application, MyBand. Stay Tuned.

Get your but over to reverbnation now and take advantage of their awesome widgets & newsletter management tools!

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Facebook has long been associated with the heavy rotation college crowd, those on-the-go, party going, paper writing teens and twenty-somethings who have enough time to spend in front of a computer socializing and are eager to absorb as much new cultural opportunities as possible.

Add to that a user-base that is growing two to three times faster than MySpace’s current database of young people, bands, and businesses and it makes sense that you might be considering branching out to a new social network to boost your fanbase.

Facebook Pages

The Facebook Pages feature is its long awaited answer to MySpace’s long standing custom profile options. Giving people the power to load up any number of new and exciting features, businesses, bands, and politicians can now broadcast everything that makes them different to the world on a custom built, easy to create and easier to navigate profile space.

Applications integrate easily to allow the addition of video, music, and flash content for your fans while the ability to have fans sign up directly on your page to join your fanbase makes them feel more involved than simply being your “friend.”

The Pages feature allows you to post updates that your fans will see on their login screen as well. The best part is that Facebook is an open source platform, meaning that millions of programmers and companies have access to dev kits to build custom applications that integrate easily into the Pages feature. If you cannot find what you want to promote your band, simply hire someone to make it. Companies, bands, and new websites have exploded with new fans and users simply by creating an easy to use application that millions of Facebook accounts soon adopted.

Why Facebook’s Pages Feature is More Advanced than Current MySpace Technologies

MySpace may be the standard, but it is also a bit of a mess. The coding is loose and slow to load at times. The artist pages look the same as they did four years ago and the number of options to customize are severely limited. While Facebook may be a fairly straightforward interface, it is that basic interface that makes many people flock to it.

Not only is the demographic slightly older - with more disposable income - Facebook has the resources needed to reach fans, their friends, and anyone who visits their friends’ pages. For everyone that listens to a song or reads a post on your Page, a chain reaction of social news stories are posted on peoples’ own pages that will lead new fans to your page. It’s the perfect way to both interact with existing fans and find new ones

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Radiohead started this earlier this year: end-running traditional music labels and releasing its album directly to fans via the Internet, letting them determine how much to pay. Nine Inch Nails followed suit. Madonna signed with LiveNation. Jay-Z will leave Def-Jam and likely join LiveNation as well.

Not to be outdone, former Motley Crue member Nikki Sixx, with his new band Sixx A.M., are also trying their hands at new media. They’re exchanging heavy metal for something a little lighter — in the form of a notebook computer and their new relationship with one of the hottest things going on the Web right now: iLike.com.

If you haven’t heard of iLike yet, you will. The site is combining two of the hottest things going right now: social networking and digital entertainment. It’s an online community offering a new marketing and distribution tool for artists; an easy, one-stop shop for their fans to share and talk about music.

And iLike is already partnering with e-powerhouses Facebook and Apple’s iTunes.

Sixx and his band are now card-carrying members of the social networking craze, combining all that it has to offer with the power of digital music online. Sixx A.M. is now relying on the Web to reach its fans directly, using technology to do what had always been done by traditional labels: letting musicians turn their bands into brands.

“Record companies are becoming not so important. It’s about the artist and the community,” Sixx told me from the studio he owns in West Hills, Calif.

“When you try to live by the same model in 2007 as you did in 1967, it’s obviously not going to work,” says Sixx.

It’s no wonder Nikki Sixx and his band have chosen iLike despite a contentious relationship between the recording labels and the technology community. iLike’s growth has been explosive: zero users a year ago — and 18 million of them today.

Co-founder Hadi Partovi, a serial entrepeneur who co-founded TellMe Networks (which was later acquired by Microsoft for an estimated $900 million), tells me: “If you want to know, oh, what was that song I heard when I was over at your house…I can visit your page and see what are the playlists you have on your iTunes account are and I’ll figure it out.”

Hadi, and his twin brother Ali (chief executive at iLike), are blown away by the enormously fast rise to fame the site has enjoyed. Hadi says, “The best part about it is we trust each other a lot and very often we’re on the same page.”

iLike is now the top digital destination for all things entertainment, including some of the biggest acts around, who are now choosing the site to release music and videos first. Already, acts like Keith Urban, 50 Cent, Beyonce, John Mayer, Evenescence, One Republic and hundreds of others have signed on.

Sixx A.M. is merely the latest. And make no mistake: behind the heavy eye-liner and tatoos are some extremely savvy businessmen. I was stunned at how much these guys recognize the power of this technology and what it can do for them as artists and business people. Maybe the reason why Nikki Sixx is still around, making millions more, while others, like Guns N’ Roses frontman Axl Rose have faded.

Says Sixx A.M. guitarist James Michaels, “I love the fact that a lot of very small bands can get their music to a lot of people” on a site like iLike.

Hey, they’re talking about a music revolution here. Sixx tells me, “It seems like a hundred years ago when people didn’t use this stuff, and people are just discovering it now.”

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